antoni tapies / dlm 250 / 22/038


Over the course of his career in painting, printmaking, and etching, Antoni Tàpies has created his own lexicon of symbols and marks to help communicate the broad range of influences in his work including, most significantly, his Catalan roots, as well as his involvement with the Parisian intellectual scene of the 1950s, meeting exponents of Art informel like Jean Fautrier and Jean Dubuffet. Tàpies’s abstract paintings are made with expressive blends of impasto, gestural brush strokes, often backwards hand-written script, and common materials such as soil and marble dust.

from: derriere le miroir 250
(Derriére le Miroir 250. Hommage à Aimé et Marguerite Maeght.)

25 original lithographs by some of the twentieth century's greatest artists.

Published in tribute to Marguerite and Aimé Maeght, this issue is complete with 25 original lithographs by Steinberg, Chagall, Miró, Palazuelo, van Velde, Rebeyrolle, Tàpies, Tal Coat, Alechinsky, Ubac, Bury, Klapheck, Titus-Carmel, Monory, Adami, Arakawa, Riopelle, Takis, Gardy-Artigas, Fiedler, Chillida, Kelly, Bazaine, and Garache.

Paris: Maeght, 1982. A fine copy.
380 x 560 - showing centre fold as issued

in an exact copy of a seventies aluminium frame - black with a black mount (not as shown)
conservation mount and glazing

* as with all the prints on the website: please call if you require any further information or clarification - details are in the 'how to buy' section found on the 'home' page - please call or email me

my details are:

geoffrey powell
[email protected]
+44 (0) 7713399961

122 grove lane
london se5 8bp
(by appointment only)