Alexander Calder was an American artist best known for his invention of the mobile and his wire sculptures. “My whole theory about art is the disparity that exists between form, masses, and movement,” the artist once said. Born to artist parents on August 22, 1898 in Lawnton, PA, Calder turned to art in the 1920s, studying drawing and painting under George Luks and Boardman Robinson at the Art Students League in New York. Calder moved to Paris to continue his studies in 1926, where he was introduced to the European avant-garde through performances of his Cirque Calder (1926–1931). “I was very fond of the spatial relations,” he said of his interest in the circus. “The whole thing of the—the vast space—I’ve always loved it.” With these performances, along with his wire sculptures, Calder attracted the attention of such notable figures as Marcel Duchamp, Jean Arp, and Fernand Léger. Notably, it was his friend Duchamp that coined the term “mobile,” a pun in French meaning both “motion” and “motive,” during a visit to Calder’s Paris studio in 1931. The earliest mobiles moved by motors, but Calder soon abandoned these mechanics and designed pieces that moved by air currents or human interaction. Over the course of seven decades, along with his mobiles, he also produced paintings, stabiles, standing mobiles, monumental outdoor sculptures, works on paper, domestic objects, and jewelry. The artist lived in both Roxbury, CT, and Saché, France, before his death on November 11, 1976 in New York, NY. Today, his works are held in the collections of such major museums as The Museum of Modern Art in New York, the National Gallery of Art in Washington, D.C., the Whitney Museum of American Art, New York, the Art Institute of Chicago, and the Tate Gallery in London.
This Maeght Foundation Gallery Exhibition poster commemorating the Alexander Calder Exhibit which took place from December 16, 1971, to August 21, 1972. The poster's art designed by Calder best reflects the surreal and abstract style of art he was most known for.
good condition with some slight staining, handling marks etc... the print has either been cut down, or produced as just an image...? there is some crinkling to edge of the paper, but an impressive image.
original exhibition poster (?)
colour lithograph - signed and dated in the plate
published by galerie maeght
image: 500 x 600mm
frame: 700 x 800mm
john hinds white ash frame
conservation mount and glazing
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